![]() I miss my colleagues, catching up, getting advice from someone, working through something that’s an issue and workshopping with the team. It’s a thriving, buzzy office, two floors packed wall-to-wall with agents and assistants. What do you miss most about the Curtis Brown office? You can’t check your phone or email when you’re doing that. At the end of the day, I have to be really disciplined and so I cook. ![]() ![]() What is the first thing you do when you sit down at your desk each day?ĭo you have any rituals to signal the beginning and end of each working day? I have time to spend a couple of hours talking with them and really giving in-depth notes. They are all writers who have had a little bit of work made or have written scripts. I have taken on four new clients in lockdown. ![]() The things I do for fun, like reading and exercising, have become deprioritised. How has your working life adapted to the challenges of the pandemic? ![]() They include Been So Long’s Tinge Krishnan, who directed several episodes of HBO’s Industry and is now making her next feature for Netflix Nottingham-based video-games writer Rob Yescombe, whose debut feature Outside The Wire starring Anthony Mackie was produced by 42 for Netflix Anya Reiss, the lead writer on Starz’s upcoming Becoming Elizabeth and Hans Herbots, who recently shot four episodes of The Serpent in Thailand for the BBC and Netflix. Nish Panchal has carved a name for himself on London’s agency scene with a client list of emerging UK writers and directors. ![]()
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